3/10/2017

1930s Regal-made Glee Club Tenor Guitar





One more Regal tenor on the pile! I've worked on a lot of these, over time. This model is the most common one -- with its spruce top, birch back and sides, and (poplar?) neck with mystery-wood fretboard (usually stained maple or pearwood, but not sure on this one). After work they've always got a driving, punchy, volume-to-spare sound that's perfect for band/jam use with a pick but also sweet and direct fingerpicked at home.

I did this one up for my friend Kevin of Guitar Sam... who also builds gorgeous ukes under the Kepasa brand. I badgered him about what tuning he wanted it in, but he settled on "standard" CGDA which is, of course, an excellent choice as that's what they're made for and how they always sound best. Work included regluing a myriad of tight hairline cracks on the top, a fret level/dress, side dots, a new nut, new tuner install, and a replacement banjo-style bridge (though the original mandolin-style bridge was still extant).


These are roughly the same size as Martin "size 5" tenors and, like the earlier Martins, have 12-fret necks. If you believe advertising from the early 20s, the Regals were the first tenor guitars available.


The headstock has "Glee Club" in the inlaid circle usually reserved for the Regal brand. This is not surprising as their products are found with what seems like an unlimited amount of random brandings. The nut is new and bone, too.


The dots are pearl and I added side-dots after doing the frets.




I've used tenor banjo bridges on these instruments when setting them up for the last few years. There's no drawback to using the smaller, lighter footprint vs. a mandolin-style bridge save that bass response might be slightly less. What one gains, however, is oodles of volume and a bit more punch and clarity.

The "Bell Brand" tailpiece allows for loop and ball-end strings. I stuffed some muting foam under the cover to kill the afterlength overtones and used ball-end strings gauged 30w, 20w, 14, 9 for CGDA.



The birch back and sides, thankfully, are crack free. The bracing was all good and pat, too, which is a bit rare. The neck angle was also good -- but I will admit that I'm leery about leaving joints "as is" on old Regals. I've seen the inside of enough of them to know how loose they can be...!


I replaced the broken and funk-ified original friction pegs with some cheap, $20 Chinese 4:1 geared banjo pegs. These work a lot better than the friction pegs and cost the same amount as your average set of decent friction pegs -- so why not use them? The only downside is that they come with terrible buttons -- which is why I've installed some funky (but appropriate) buttons from Kay banjo friction pegs of the 40s instead.



Thick celluloid binding is at the top and back edges.






1 comment:

UkuleleKevin said...

Beautiful work! Thanks so much, Jake. It's a pleasure to be on the other side of the counter and be a "customer" once in a while. Can't wait to play it.