Another KG-14! I guess they're better in pairs, no? This one is loud, punchy-as-heck, has good snap -- and a lot of ring to it. It's mostly-original, too, but has new frets and a new nut and saddle. The pins are, amazingly, all-original and the guitar has that look -- with the firestripe guard and perfect bluesy sunburst.
This was almost-done last Saturday, but it took all week for me to find the time necessary to finish it off. This is because it needed more work than I expected. In the end it got a neck reset, bridge reglue, new bone nut and saddle, brace reglues, crack cleats and repairs to the top, and a board plane and refret (with new jumbo stock). The end result is a top-notch player with a straight neck, modern-feeling frets, and spot-on 3/32" EA, 1/16" DGBE action at the 12th fret. I have it strung with 52w, 40w, 30w, 22w, 16, 12 strings in a "slightly lighter than light" set.
The usual KG-14 specs apply, too -- 1 3/4" nut width, 12" radius fretboard, medium-sized V-shaped neck profile, 24 3/4" scale (almost 24 7/8" in actuality), and 14 5/8" width on the lower bout. The ladder bracing compared to an x-braced L-00 means a less-creamy top and bottom end and an emphasis on lots of snap and punch in the mids. This is ideal for a fingerpicker but will also suit a flatpicker who needs a bit of cut and definition like an archtop.
I also added side dots. The board is freshly leveled/planed and feels like a new, boutique offering.
There are a few difficult-to-see cracks on the top that are all repaired. Two short hairlines are above the soundhole and cleated and there are three smaller ones below the soundhole and terminating at the bridge -- also cleated. Below the bridge the center-seam was a little open and that's been glued, cleated, and sealed for future stability.
I forgot to mention that I also reglued the pickguard a bit, too.
The bridge has its original pins -- though the saddle is a new, compensated, bone one.
As you can see, there's a fair amount of saddle left for action adjustments. The slot is also deep enough that conservative "shimming" can get you by for fine adjustments up without having the saddle tilt forward on you.
Woods, right? The top is solid spruce and the back, sides, and neck are solid mahogany. The back on this one appears to be one piece, too.
There's an average amount of use-wear on the guitar but, overall, it looks great compared to many KG-14s which tend to get a lot of play over the years.
The tuners are mostly original but I've used spare parts from a donor set of the same type (only a few years prior) to replace missing bits.
The "fade" of the sunburst to the back/sides is pretty neat here at the neck.
The endpin is original, too.